In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly straight-backed, his arms muscular beneath a plain tee. On stage, ballet dancers can appear like mighty gods, yet often offstage they are petite. Not so Ball, whose tall stature is part of his demand for princely characters and partnering. With delicate features and intense eyes, there's a hint of a brooding actor about him.
An Apparent Rise to the Top
Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was advanced annually, attaining the highest position of principal in 2018. He has loved taking on meaty dramatic roles, especially the emotional angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring role is as himself, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will walk the crowd through a part, demonstrating his cognitive process while performance. Even in more comedic ballets, the test is significant. "Don Quixote is one of the toughest from a skill perspective," he notes.
The Psychological Game and Post-Performance Emotions
How does he feel following a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel embarrassed later. After an intense role I'm always thinking: Wow, what must people think?"
In person, Ball is reflective, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."
Formative Drivers and Creative Inspirations
His determination originated in early setbacks. Not excelling in competitions at school made him "driven!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.
The next challenge is creating his own choreography. In his view, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from books, music, and art.
Close-Up Dance and Private Dynamic
He also favors presenting dance in more intimate venues. "It was just really thrilling," he says of a past show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"
Ball has made pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not typically paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Physical Image
On social media, fans can see clips from his projects and images that highlight a sculpted form. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on various levels.
Ball characterizes his younger self as "desperate for success." Did it met his expectations? "I am conscious of how life is a separate thing to the dreams you made as a young person," he reflects. He probably has another ten years of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."